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Tired Storylines

Girl finds out she’s pregnant. She’s excited and a little scared. Either way she can’t wait to tell boy. He’s the love of her life and it’s a new step for them. It doesn’t matter if he’s a husband, boyfriend, or fiancé, they are together for good. Just as she’s about to tell him he makes some dumb comment about how he’s not ready for kids, or they can’t afford kids, or it’s not the right time for kids. Girl is sad. Can’t tell boy now. Eventually she tells him and it all works out beautifully.

It’s also done over and over a million times. In fact, in the past two months, I’ve seen this same storyline on two different television programs. It’s an easy conflict and obviously it works, but is it really the best conflict to be using?

Jessica

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36 comments

  1. I read tons of books, or about them, as a blogging book reviewer.

    I see tons of tired storylines among published novels.

    And I wonder, "Is this all authors are writing? Or, is this all publishers are publishing?"

    Among aspiring authors, I think, "Uh, guys, we can do better than this."

    Among publishers, I just have to assume they're only publishing those stories because they believe those are the only stories which will sell. Although I suppose they can't publish anything different than what's sent to them.

    It is baffling.

  2. I loved Emily Giffin's Baby Proof, which was about a married couple that had married with the decision not to have a baby and then one of them changed their minds. It was a fresh take on the storyline, I think, since it wasn't an actual baby so much as the idea of one.

    I agree, though, that it's hard to think of a new way to tell this story that hasn't been done. I'd think it would have to be the secondary plotline in a book to be able to pull it off well.

  3. Heidi, a great example. Loved Baby Proof! This storyline may be overused, but I think it has an element of the human condition that will always hold some place in society. Whether it should be a big piece of what is available to read is a completely different question!

    Marissa

  4. Personally I like Stephen King's twist on it. Girl finds out she's pregnant. Dumps boy. World ends through the effects of a superflu. Girl winds up with good ole boy from Texas.

  5. Love this–and since there are supposedly only seven basic plots (or three, or 36: http://www.ipl.org/div/farq/plotFARQ.html)available to all the gazillions of writers out there, it's a given some will be done to death. I honestly think it all comes down to voice–if you can tell a tried and true (and done to death) story in a new way, you just might find yourself with a winner.

  6. True, nothing's that original anymore, and every story's success depends on the telling. Some people must appreciate the familiarity, or these stories wouldn't sell (or in the case of TV shows, the programs wouldn't be watched).

    Still, this plot is among the most overdone, as are the "girl gets pregnant, permanent-boy-fixture is happy, but OH NO it's not his baby" storylines. Fresh takes are appreciated.

  7. So true! I'm also tired of this plot: the middle-aged man has an affair, wife is devastated then starts a new life–only to have hubby come begging. Isn't this scene played out in real life too (e.g. Jesse James, Tiger Woods, et al) BORING!

    Please explain: I've sent agents a fresh, new idea, but they turned it down saying it wouldn't sell in this market because it was TOO different. So they all want the same old, same old–but told in a new way. HUH??? We're readers too—give us something ORIGINAL!

  8. Personally, I like when someone starts out on a tired plot like this and then it takes a new turn. Like, boy makes comment about not being ready for kids. Girl says, immediately, "Well, get ready." And the story is about something else–their conflict, their becoming parents.

    In TV programs, "Frasier" used to do this particularly well.

  9. I have always wanted to see what would have happened if Juno would have had an abortion. A real, poignant, rich story about a brassy teenager who is suddenly weighted with a guilty conscience. I think experiencing that with her, going through the eclipse, her evolution, would be quite emotional and certainly relevant considering what a hot topic abortion is in today's society.

  10. I like what Kate Douglas said and agree – it's all in the telling.

    If I were an agent I think this would be tricky – because, you're right, Jessica, things do feel overdone – like vampires – and it would be easy to hear the pitch and think 'it's been done before.' But, really, hasn't everything been done before, pretty much?

    On the other hand, some authors could write the phone book and I'm there.

  11. Overdone and a major turn-off for me.

    I know people can be stupid about sex, but I really don't want to read about girls having sex before they develop some pregnancy plan with their romantic partner.

    What about this twist? Girl is NOT pregnant, but fakes it to manipulate the poor sap into staying with her to satisfy her psychotic ego needs. Might make for a good thriller.

    I hear that's a fairly regular story in real life, but I've not seen it in books or movies myself.

  12. How about this one. The girl is pregnant and tells the father and he truly DOES NOT a kid with her. There's no simple solution because he can't force what he doesn't feel. I'm digging that one way more.

  13. But is the boyfriend/ fiance/ husband a cop who just has two weeks to go before he can retire and live the good life in Florida? 'Cause that would make it even better.

  14. Saw a show once, can't remember which one, where the girl goes to tell the boy she's pregnant, but he tells her he's joining the priesthood, that it was his calling and he's happy for the first time in his life.

    She keeps quiet, raises the child on her own…then dies. Father is now informed he's a father.

    A fresh twist, I thought. I wish I could remember the show! I think John Ritter played the father.

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