Finding a book that satisfies your #MSWL (manuscript wishlist) is every agent’s dream. When it’s an already established client, the #MSWL has special meaning.
Unlike with a new author, the pitch for a current client often needs to come entirely from me. I have no query to work from. That being said, it is common for me to ask the author to send a blurb for me to work from. Whenever possible, I like to use their voice in my pitch. I’m not sure I accomplished that here, but you can bet it took a lot of rewriting while I tried.
I hope you’re getting ready for a long weekend. Before you go I’m hoping to give you a chance to read Paige Shelton’s newest mystery proposal, Thin Ice: An Alaskan Wilderness Mystery.
Bestselling writer and criminologist Beth Rivers lives a secluded life — quietly writing page-turning thrillers she thought could only be fiction—until one reader wanted more than just her next book. Joshua Crabtree spent two years stalking Beth; remaining in the shadows until the day he made an unsuccessful attempt to kidnap her.
Now Beth is scarred and scared. She got
Setting out to learn the truth, Beth is forced to face not only her own
Paige Shelton has been a New York Times bestselling cozy author for her Farmer’s Market series. She is also the author of two other
I look forward to sending the proposal your way.
The Pitch Today
Over the years I’ve preached the importance of learning the art of the query, not just to pitch agents, but because this skill will serve you throughout your career as a writer. No more was this true when we worked on the cover copy for Thin Ice.
Writing the copy for this book was at least a 5-person job. It involved the copy writer at the publisher, Paige’s editor, the editor’s assistant, Paige, and of course me. Some of what we used came directly from the query. See for yourself, and order a copy while you’re there.